1000 Design Classics by Phaidon Editors

1000 Design Classics by Phaidon Editors

Originating from the highly acclaimed and groundbreaking three-volume Phaidon Design Classics, this new book presents 1,000 of the world’s greatest objects in one large-format volume – from everyday items by anonymous creators to lauded pieces by the likes of Charles and Ray Eames, Charlotte Perriand, Dieter Rams, Richard Sapper, Hans J. Wegner, and Florence Knoll.

Carefully revised to bring every detail up to date, and with the addition of 100 new items that highlight designers from a diverse variety of backgrounds (including a greater number of female designers) and products from the last 15 years, this collection of the world’s greatest product design is more comprehensive, compelling – and relevant – than ever before.

The book showcases celebrated names alongside the new stars of modern design, including Le Corbusier, Alvar and Aino Aalto, Isamu Noguchi, Ronan and Erwan Bouroullec, Lani Adeoye, Faye Toogood, and Lindsey Adelman. Each entry is accompanied by beautiful imagery and a detailed description that offers a rich insight into the product, its history, and its maker, from the renowned Tulip Chair by Eero Saarinen to the much-loved Bird Zero e-scooter.

This handsome book is the perfect reference guide for design enthusiasts, industry professionals, and all those interested in the creative process.

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Mexico Modern: Architecture and Interiors

Mexico Modern: Architecture and Interiors

by Tami Christiansen (Author), Richard Powers (Photographer), Eugenio López Alonso (Foreword)

A captivating exploration of Mexican architecture, from iconic homes by legendary masters to new groundbreaking work shaping the future of design.

Mexico has long been a wellspring of inspiration for designers, with its rich architectural heritage shaping both national and international discourse. Visionary architects featured in this book such as Agustín Hernández Navarro, Luis Barragán, Ricardo Legorreta, and Javier Senosiain have left an indelible mark on modern architecture, as can be seen in the groundbreaking recent works that are also showcased in these pages.

In this lavishly illustrated volume, Christiansen explores Mexico’s architectural diversity, presenting homes that embody a profound sense of place through exceptional design. From organic dwellings that merge seamlessly with rural landscapes to bold urban structures that challenge conventions of form and space, to sculptural seaside sanctuaries that rise like temples from the sand, each project offers a unique perspective on the country’s evolving design language.

Profiling both established masters and emerging talents, this book highlights the fearless innovation and artistry that define Mexican architecture. These visionaries have pushed the boundaries of convention, transforming spaces into works of art that transcend mere functionality. Through their bold experimentation and creative mastery, they shape the future of design while paying homage to Mexico’s rich traditions, skilled artisans, and cultural heritage. An essential resource for design aficionados, this volume is an inspiring testament to Mexico’s enduring influence on the world of architecture.

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SHIFT: Architecture in Times of Radical Change by Florencia Rodriguez

SHIFT: Architecture in Times of Radical Change by Florencia Rodriguez

SHIFT: Architecture in Times of Radical Change is published in conjunction with the sixth Chicago Architecture Biennial (CAB 2025) under the artistic direction of Florencia Rodriguez. In a world defined by crisis and uncertainty, where architects are researching, relearning, and reimagining, the volume marks not only a change in direction but also presents provocative inquiries about a redefinition in the substance and fundamentals of the field. It is an invitation to think with others, to project with intention, and to set new grounds for the interpretation and design of our built environments. In the same spirit, the book unfolds the many faces of SHIFT through collective, multilayered, and multidimensional conversations, visual essays, and manifestos.

CAB 2025 participants’ voices are brought to print through a transcript of a five-hour conversation marathon that tackled topics such as new realism, the magic in the ordinary, pleasures in the urban, and the need to critically shift architecture’s language, as well as a repository of manifestos exploring other possible worlds. Beyond the exhibition, SHIFT: Architecture in Times of Radical Change also calls upon practitioners from different fields to discuss the current state of education in architecture schools, the challenges of material culture, the future of housing, and exhibitions as devices for change.

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Atlas of Interior Design by Dominic Bradbury

Atlas of Interior Design by Dominic Bradbury

Explore interior-design masterpieces around the globe from the 1940s to today with this unique geographically arranged survey – discover iconic rooms in 9 continental regions in this ground-breaking survey spanning more than 50 countries

This unparalleled global survey features more than 400 of the most inspirational residential rooms from the past eight decades. With the work of icons of interior design past and present, such as Kelly Behun, Stéphane Boudin, Jacques Grange, Peter Marino, Brigette Romanek, Studio KO, Faye Toogood, Axel Vervoordt, and Kelly Wearstler, the more than 400 interiors featured in this innovative book also include a selection of fascinating and virtually unknown interiors from Australia, Africa, Asia, and beyond. From classic to contemporary, minimal to maximal, the homes included, together with the author’s insightful commentary, illuminate the design tropes unique to their location’s context, while others confound preconceived ideas of vernacular design to spectacular effect.

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How Sustainable Design Education is Shaping Tomorrow’s Professionals (Pt.2)

How Sustainable Design Education is Shaping Tomorrow’s Professionals (Pt.2)

Product Design and Systemic Operational Frameworks

Industrial and product design programs are shifting their educational objectives away from the styling of superficial consumer casings toward the orchestration of complex product-service systems. Global design departments are widely deploying the Product-as-a-Service (PaaS) framework as a core design requirement. Within this model, students are trained to design physical assets not for discrete point-of-sale consumer transactions, but for long-term lease, rental, and operational ownership by the manufacturing corporation itself. This operational transition flips the designer’s primary motivation: the object must be optimized for longevity, rapid modular repair, component updating, and factory remanufacturing over a multi-decade timeline.

Students study industrial design rules focused on modularity and high-speed repairability in direct compliance with international Right to Repair mandates. In practical studio workshops, students systematically deconstruct market consumer electronics, identifying design errors such as integrated, non-removable batteries, proprietary fasteners, and fragile structural adhesives. For their thesis projects, industrial design cohorts prototype modular smartphones, easily repairable home appliances, and flat-pack furniture components assembled entirely without toxic chemical bonding agents. Every sub-assembly within these student projects can be easily swapped out by an end-user utilizing a single, standard mechanical tool.

Moreover, modern industrial design education incorporates rigorous supply chain mapping and circular macro-economic modeling. Future designers must calculate the precise carbon and financial costs associated with reverse logistics, ensuring that a product can be efficiently recalled to a factory node and refurbished with minimal energy inputs. This analytical education produces industrial design graduates who possess the quantitative vocabulary required to prove the fiscal returns of a sustainable workflow to corporate stakeholders. They enter the enterprise demonstrating that eliminating virgin material extraction and deploying standardized, reusable container loops protects corporate balance sheets from extreme global commodity price shocks.

Computational Ecology and the Role of AI in Online Classrooms

Modern sustainable design education relies heavily on the integration of advanced computational tools and artificial intelligence architectures. AI has transitioned from a superficial visualization assistant into an analytical engine capable of processing immense, multi-variable climate and material data fields that previously required months of manual engineering calculations. These online, cloud-native analytics platforms allow remote design students to evaluate the long-term environmental metrics of their projects with high scientific accuracy during the early concept phase.

During design sprints, students deploy generative machine learning algorithms to optimize structural massing and material distribution. An AI engine can compute thousands of geometry variations for an architectural truss or a product chassis, automatically removing structural material from areas without load concentration to reduce plastic or metal consumption by up to 40% while maintaining absolute structural integrity. In urban planning modules, artificial intelligence processes 50-year meteorological histories to run predictive climate stress tests, simulating how heat islands, rising sea levels, and extreme storm flows will interact with a digital city model so students can strategically adjust green spaces and bio-swale networks.

Simultaneously, high-bandwidth online learning networks are completely democratizing access to this high-tier environmental education. Students from developing industrial regions can connect directly to cloud-hosted sustainable laboratories managed by top-tier western research institutes, running carbon calculations and earning accredited micro-credentials without geographic or financial exclusion. Virtual and Augmented Reality (VR/AR) tools enable distributed international teams to gather inside immersive digital twins of architectural assets, collaboratively testing the mechanical disassembly of product nodes or walking through spatial layouts in real time. Digital transformation and AI do not merely accelerate production speed; they democratize critical ecological data, unifying a global community of designers to solve shared planetary challenges.

Conclusion: The Strategic Responsibility of the Modern Creative Class

Sustainable design education is not a passing aesthetic trend, a temporary compliance framework, or a public relations tool; it represents the structural evolution of the creative profession. The contemporary designer carries a direct responsibility for balancing human manufacturing outputs with biosphere safety boundaries. Shifting from a legacy linear perspective to a systemic, circular framework demands rigorous intellectual agility and a commitment to continuous lifetime learning from both students and academic institutions. However, this rigorous path provides the primary blueprint for an industrial economy that actively coexists with the planet rather than depleting its raw capital.

Graduates of advanced sustainable design tracks enter global enterprises and municipal regulatory offices as core agents of systemic change. They deliver an integrated skill set that combines sharp aesthetic values with deep technical literacy in material sciences, cloud data analytics, and global environmental tax compliance. Investing in comprehensive, data-driven sustainable design education directly dictates the resilience of our future infrastructure, consumer products, and regional ecosystems. Ultimately, sustainable design education teaches a universal lesson: we must engineer our world so that future generations retain the absolute right to a safe, stable, and prosperous environment.

Paolo Roversi by Sylvie Lécallier, Paolo Roversi

Paolo Roversi by Sylvie Lécallier, Paolo Roversi

This definitive monograph surveys the last fifty years of fashion photographer Paolo Roversi’s distinctive output, and has been developed and designed in close collaboration with the artist.

Arriving in Paris from Ravenna in 1973, Paolo Roversi produced his first series of photographs in 1977, which were immediately picked up by the fashion press. From then on, he devoted himself to fashion photography, working for the greatest designers and for the most prestigious magazines, simultaneously occupying a position both at the heart of the fashion world and far from its ephemeral trends.

Ultimately in search of pure beauty, Roversi creates timeless and mysterious work, which is shaped by his choice of studio and use of large format and Polaroid cameras. At the heart of his photography are his close relationships with fashion designers and models, most famously with Yohji Yamamoto, as well as Romeo Gigli, Rei Kawakubo, and Dior. These fruitful collaborations have allowed Roversi to continuously challenge and renew his practice.

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