Louis Vuitton: The Birth of Modern Luxury by Louis Vuitton

Louis Vuitton: The Birth of Modern Luxury by Louis Vuitton

Originating from the highly acclaimed and groundbreaking three-volume Phaidon Design Classics, this new book presents 1,000 of the world’s greatest objects in one large-format volume – from everyday items by anonymous creators to lauded pieces by the likes of Charles and Ray Eames, Charlotte Perriand, Dieter Rams, Richard Sapper, Hans J. Wegner, and Florence Knoll.

Carefully revised to bring every detail up to date, and with the addition of 100 new items that highlight designers from a diverse variety of backgrounds (including a greater number of female designers) and products from the last 15 years, this collection of the world’s greatest product design is more comprehensive, compelling – and relevant – than ever before.

The book showcases celebrated names alongside the new stars of modern design, including Le Corbusier, Alvar and Aino Aalto, Isamu Noguchi, Ronan and Erwan Bouroullec, Lani Adeoye, Faye Toogood, and Lindsey Adelman. Each entry is accompanied by beautiful imagery and a detailed description that offers a rich insight into the product, its history, and its maker, from the renowned Tulip Chair by Eero Saarinen to the much-loved Bird Zero e-scooter.

This handsome book is the perfect reference guide for design enthusiasts, industry professionals, and all those interested in the creative process.

Find out more about Louis Vuitton: The Birth of Modern Luxury by Louis Vuitton →

AI as a Creative Partner: What Design Students Need to Learn in the Age of Generative AI (Pt.1)

AI as a Creative Partner: What Design Students Need to Learn in the Age of Generative AI (Pt.1)

PART 1. From Execution to AI Literacy

As artificial intelligence becomes part of everyday creative practice, the most valuable skills for designers are changing. From critical thinking and systems design to ethics, AI literacy and human-centred innovation, the future belongs to those who can collaborate with AI rather than compete with it.

Design education has traditionally focused on creative process, visual communication, technical skills and user-centred thinking. Today, AI-powered research, prototyping, modelling and image generation are reshaping both the profession and the classroom. Many design students are asking: will AI replace designers?

A more useful question is: what kind of designer will thrive when AI can generate hundreds of ideas in seconds?

The answer points towards a future in which AI is not a competitor but a creative partner. Understanding how to collaborate with intelligent systems may soon become as important as learning typography, sketching, prototyping or visual storytelling. But collaboration does not mean dependence. It means knowing when to use AI, how to question it, and how to turn machine-generated possibilities into meaningful human-centred design.

The End of the “Designer as Executor”

Historically, much of a designer’s work involved executing ideas: creating visual assets, refining layouts, preparing presentations or turning a brief into a polished object. Many of these tasks can now be completed partially, and sometimes almost entirely, by AI-powered tools.

This does not mean designers are becoming obsolete. It means the value of design is shifting. As routine production becomes easier, the most valuable contribution is deciding what should be created, why it matters, who it serves, and how it fits into a broader social, environmental, cultural or business context.

Designers are increasingly moving from execution to direction. The ability to frame problems, ask meaningful questions, identify opportunities and evaluate solutions is becoming more important than the ability to produce a polished image alone.

BE OPEN Insight

The question is no longer whether AI can generate ideas. It can. The question is who will define which ideas matter.

As artificial intelligence takes over more routine creative tasks, the designer’s role is shifting from making outputs to shaping intentions, evaluating possibilities and creating meaning. In this new landscape, human judgment becomes more valuable, not less.

Why Creativity Is Becoming More Valuable

One common misconception is that AI can fully automate creativity. Generative systems can produce impressive outputs, but they do not possess human curiosity, lived experience, cultural awareness, emotional understanding or ethical judgment. They generate responses based on patterns found in existing data.

Innovation often comes from challenging existing patterns rather than repeating them. Designers are therefore becoming more focused on defining original directions, combining disciplines, identifying emerging needs and imagining alternative futures.

AI can generate thousands of visual variations. It cannot determine which of them contributes to a more sustainable city, a more inclusive product or a healthier society. That remains a human responsibility.

Case Study: MIT Media Lab

In Physical Design with Generative AI, MIT Media Lab researchers explore how AI can support designers and artists working with physical objects rather than digital images alone. The project focuses on expanding designers’ expressive possibilities while preserving artistic control. Its outcomes include biomimetic tableware and additively manufactured ceramic objects developed through human-AI collaboration.

The lesson is important: AI works best when it helps people explore more possibilities, not when it makes decisions for them.

Source:
https://www.media.mit.edu/projects/physical-design-with-generative-ai/overview/

From Prompting to Judgment

Many discussions about AI in creative industries focus on prompting: the ability to write instructions that generate useful results. Prompting is important, but reducing future design education to prompt writing would be a mistake.

The most successful designers will not necessarily be those who generate the most images. They will be those who understand when and why to use AI, how to evaluate its outputs critically, and how to integrate those outputs into meaningful design processes.

For design students, the key skill is AI literacy: understanding what a system can and cannot do, where outputs may come from, how bias may enter the process, when automation weakens learning, and how to document the role of AI in creative work.

AI literacy is becoming part of design literacy. It connects technical fluency with critical thinking, authorship, ethics and the ability to explain creative decisions. The strongest students will not be those who hide the use of AI, but those who can show how they used it thoughtfully, transparently and responsibly.

Source:
https://altc.alt.ac.uk/blog/2026/03/values-led-generative-ai-in-design-education-a-toolkit-for-confident-critical-practice/

1000 Design Classics by Phaidon Editors

1000 Design Classics by Phaidon Editors

Originating from the highly acclaimed and groundbreaking three-volume Phaidon Design Classics, this new book presents 1,000 of the world’s greatest objects in one large-format volume – from everyday items by anonymous creators to lauded pieces by the likes of Charles and Ray Eames, Charlotte Perriand, Dieter Rams, Richard Sapper, Hans J. Wegner, and Florence Knoll.

Carefully revised to bring every detail up to date, and with the addition of 100 new items that highlight designers from a diverse variety of backgrounds (including a greater number of female designers) and products from the last 15 years, this collection of the world’s greatest product design is more comprehensive, compelling – and relevant – than ever before.

The book showcases celebrated names alongside the new stars of modern design, including Le Corbusier, Alvar and Aino Aalto, Isamu Noguchi, Ronan and Erwan Bouroullec, Lani Adeoye, Faye Toogood, and Lindsey Adelman. Each entry is accompanied by beautiful imagery and a detailed description that offers a rich insight into the product, its history, and its maker, from the renowned Tulip Chair by Eero Saarinen to the much-loved Bird Zero e-scooter.

This handsome book is the perfect reference guide for design enthusiasts, industry professionals, and all those interested in the creative process.

Find out more about 1000 Design Classics by Phaidon Editors →

Mexico Modern: Architecture and Interiors

Mexico Modern: Architecture and Interiors

by Tami Christiansen (Author), Richard Powers (Photographer), Eugenio López Alonso (Foreword)

A captivating exploration of Mexican architecture, from iconic homes by legendary masters to new groundbreaking work shaping the future of design.

Mexico has long been a wellspring of inspiration for designers, with its rich architectural heritage shaping both national and international discourse. Visionary architects featured in this book such as Agustín Hernández Navarro, Luis Barragán, Ricardo Legorreta, and Javier Senosiain have left an indelible mark on modern architecture, as can be seen in the groundbreaking recent works that are also showcased in these pages.

In this lavishly illustrated volume, Christiansen explores Mexico’s architectural diversity, presenting homes that embody a profound sense of place through exceptional design. From organic dwellings that merge seamlessly with rural landscapes to bold urban structures that challenge conventions of form and space, to sculptural seaside sanctuaries that rise like temples from the sand, each project offers a unique perspective on the country’s evolving design language.

Profiling both established masters and emerging talents, this book highlights the fearless innovation and artistry that define Mexican architecture. These visionaries have pushed the boundaries of convention, transforming spaces into works of art that transcend mere functionality. Through their bold experimentation and creative mastery, they shape the future of design while paying homage to Mexico’s rich traditions, skilled artisans, and cultural heritage. An essential resource for design aficionados, this volume is an inspiring testament to Mexico’s enduring influence on the world of architecture.

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SHIFT: Architecture in Times of Radical Change by Florencia Rodriguez

SHIFT: Architecture in Times of Radical Change by Florencia Rodriguez

SHIFT: Architecture in Times of Radical Change is published in conjunction with the sixth Chicago Architecture Biennial (CAB 2025) under the artistic direction of Florencia Rodriguez. In a world defined by crisis and uncertainty, where architects are researching, relearning, and reimagining, the volume marks not only a change in direction but also presents provocative inquiries about a redefinition in the substance and fundamentals of the field. It is an invitation to think with others, to project with intention, and to set new grounds for the interpretation and design of our built environments. In the same spirit, the book unfolds the many faces of SHIFT through collective, multilayered, and multidimensional conversations, visual essays, and manifestos.

CAB 2025 participants’ voices are brought to print through a transcript of a five-hour conversation marathon that tackled topics such as new realism, the magic in the ordinary, pleasures in the urban, and the need to critically shift architecture’s language, as well as a repository of manifestos exploring other possible worlds. Beyond the exhibition, SHIFT: Architecture in Times of Radical Change also calls upon practitioners from different fields to discuss the current state of education in architecture schools, the challenges of material culture, the future of housing, and exhibitions as devices for change.

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